Blue Scales Yellow Stamp, by Jennifer Chenoweth
As fall's first cool front pushed dramatic clouds into the skies above downtown Austin on Thursday night, I made my way through a well-behaved crowd viewing paintings, collages, and sculptures at the new W Hotel offices of Gensler, the global architecture firm that has designed hundreds of sleek structures in places as far away as Shanghai and Istanbul.
Since art, architecture, and community often meld together, it makes sense that Gensler chose to host the official launch party of a new endeavor called Generous Art, an online art gallery that envisions art purchases as community-oriented transactions. Conceived and brought to fruition by visual artist and entrepreneur Jennifer Chenoweth, Generous Art works like this: When a site visitor purchases art, the retail price is divided among the artist (40%), a nonprofit organization of the buyer's choosing (40%), and the gallery itself.
More than 20 Austin-area artists are currently on board, including Virginia Fleck, who creates colorful and intricate collages from plastic bags and other recycled materials; Stella Alesi, a realist painter focused on the life cycle of birds, lizards, plants, and other life forms; Wells Mason, a craftsman currently fascinated with blurring the line between sculpture and furniture; and Emily Moores, whose stark yet evocative charcoal-on-paper works resemble Japanese woodcuts. Beautiful stuff.
This thought has stayed with me all day: Art, beauty, and community—all intangible concepts worth nurturing, whenever and wherever we find it.