As SXSW Film was winding down, I set aside time for some of the free SXSW music shows. I went to Thursdayâ€™s Auditorium Shores concert and saw M. Ward and later, the Shins. I was pleased and surprised by M. Wardâ€™s high-energy set, and also the Shinsâ€™ recent addition, guitarist Jessica Dobson, who I think brings an edgier and more distinctive sound to not only the new material, but enhances their older hits without changing the structure. I also spent most of Friday afternoon at Waterloo Records, another major hub for free SXSW shows.Â I heard Talib Kweli, Jimmy Cliff, Of Montreal, and Gary Clark Jr. play to a near-capacity crowd and all performed phenomenal shows. And I returned to Auditorium Shores one last time to hear Bomba Estereo perform a short but explosive set before heading to UT for the Big Easy Express film screening with Mumford & Sons headlining a live show.
Two big misses/goofs: I took a break for lunch around 4 and missed Father John Misty, who I later discovered is Josh Tillman, former member of the Fleet Foxes, one of my favorite bands. And I stuck around for the headliner, 80sâ€™ hard-rock veterans the Cult, mistaking them for a younger indie pop band called the Cults. I felt so foolish, as the Cult took over a half-hour to set up and I had plans to meet friends on S. Congress. But the next day I felt somewhat vindicated when one of my young SXSW houseguests revealed to me that she and her friend made the same goof. Legions of middle-aged biker types surrounding the stage also tipped them off that maybe they werenâ€™t here to see the same band!